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Artist Trading Cards
The One True Prophet II
The One True Prophet
Kenya Dale
At first
She is a fluttering
Inside me
A quick and swirling notion
Gentle, then gone.
Then
She is a soft thud
At my heart’s door
An uncertain visitor
Who may just as well pass me by
Then again,
She is a swift kick
A bulging lump that blows me over
Tilting my Axis
Fully Awake from Eternal slumber
Next,
She is an axe
Splitting my closed mind
A Cosmic soup of Blood and Bone
Hurling outward into all of Creation
Presently,
She is the Future personified
Reaching back into the Past
Urging me onward
Thus far on my way
Clock
Requiem of the Ginkgo
Requiem of the Ginkgo
by Sarah Yost
the ginkgo tree: living stem
pushing up through the hole
in our weather-worn deck,
thickening with each year’s layer
as the harvested lumber desiccates to rot;
a glorious gift from the previous
owners: faceless benevolent gods
who granted us that small sip of beauty.
one day each fall we circle its trunk,
bathed in the gold flecks of a thousand
fluttering geisha fans, as the tree
unfetters its riches upon our
impoverished open palms, reaching
up, up, trying to grasp the essence
of that beautiful, ritual death.
Pink House – Night
Riccio Verde
Garden in the Round
Linda Satterlee-McFadin
I grew a garden once,
I designed it in the round.
I planted it with tomatoes,
cuc’s and all the zucchini I had found.
I watered it all summer
and pinched bad leave away.
The rewards I reaped from my garden
I remember to this day.
Green stalks and leaves shot to the sky,
Veggies grew galore
We ate salads from that garden
‘til the children begged “no more.”
When we finally had moved,
I was sad to let the garden go.
You see, I have no green thumb,
no more to grow plants just so.
I couldn’t repeat my success with plants,
I soon enough found
And so, must only remember that
lovely garden in the round.
Thistle
Our Place
Linda Satterlee-McFadin
I am the one on the left, center
In my place
Do you see me? Probably Not.
I am not distinguishable, but,
That’s OK. I fit in. That’s good for me.
I don’t make waves,
I don’t complain,
I do my job day to day
I am dependable.
Let someone else seek glory, we need glory seekers
They have their place
Individuals, exhibitionists, out of the box thinkers
They create, invent, surmise, declare, resist, insist
People like me duplicate, but,
We are needed
to use those creations, inventions,
To make copies of them, to buy them
To be inspired by the cause
We have our place
When a battle has begun, we’ll fight, vote, chant, we’ll carry on
The indistinguishables, the common ones, there’s more of us
Safety in numbers, face in the crowd, one of the gang
We have our place,
Aren’t we all beautiful?!
Silence Say No More
Silence, Say No More
NeShaune Mahin Lasley
Where I’m from
Shorty can’t do right
Not enough this,
Not enough that
Too black, too white
And to throw it in your face
Blackballed, black out
Black-ish? A disgrace
But Color,
Color is all I see
And Color,
Color with a capital ‘C’
Cause Color is a pronoun
A Person, a Place and a Thing
Color is a pronoun
Color breathes
It shelters – it sings
How interes-ting
You choose to describe me
As Colored
We Are the Youth of a Nation
We Are the Youth of a Nation
Anderson Aven Cook
We are the grandchildren of the slaves you could not break.
Brought from distant shores, we made this land our home.
She said that we stepped ’n fetched a country
And wrote the blues in screams.
A white house now stands, the antithesis of our genesis.
Are we not worthy of a legacy?
We are still chained.
We are the ambition of blood lines aberrant in their old age.
We are the grandchildren of the slaves you could not break.
Brought to our knees, we found our footing, and with time, took our seats.
They say, but sugar, it was our submission
That made your world go round.
Signs demanding subjugation, inflaming our identities.
Are we not a legacy?
We still scream.
We are the ambition of blood lines aberrant in their old age.
We are the grandchildren of the slaves you could not break.
My folks can make me split my side,
They grow the fruit but eat the rind.
Black bodies lie, lied upon and stained.
Are we not daughters? Mothers? Brothers? Fathers?
Still chained. Still screaming. Somehow, still dead.
We are the ambition of blood lines aberrant in their old age,
And we cannot be broken.
The One True Prophet
The One True Prophet
Joanne Weis
The One True Prophet
Kenya Dale
At first
She is a fluttering
Inside me
A quick and swirling notion
Gentle, then gone.
Then
She is a soft thud
At my heart’s door
An uncertain visitor
Who may just as well pass me by
Then again,
She is a swift kick
A bulging lump that blows me over
Tilting my Axis
Fully Awake from Eternal slumber
Next,
She is an axe
Splitting my closed mind
A Cosmic soup of Blood and Bone
Hurling outward into all of Creation
Presently,
She is the Future personified
Reaching back into the Past
Urging me onward
Thus far on my way
Take Me Away
Take Me Away
Laura Gay Faulkner
The wind whips through me
Tantalized by the falls rough sound
Take me away
Envelope me
Take me away from my worry
From the pain of yesterdays
Let me rest in your grace
I beg you
Take me away
No, take hold
You are mighty
You do not bend
Promises of
The Master’s hand
Help you stand up STRONG
Icy, cool waters
Pour your strength into me
Do not bind me to the fury
Take me away
No, take hold
You are all
You need to be
Please take me away pouring waters
I am afraid
To remain here
No, take hold
Rest in the
Peace
Of your Savior’s Hand
Pathology of Colours
Pathology of Colours
Kathryn Punsly
Go not too near a House of Rose
I knew the language of the floweret
I have seen, visible, Death’s artifact
I know the colour rose, and it is lovely
Love’s emblem in a full-blown rose
Just broken from the stem
O rose, thou art sick
‘Tis but at best a fading thing,
To suffer no diminution
“My fragile leaves,” it said, “his heart enclose”
All tenderly his messenger he chose
The rose fades
And his dark secret love
Does thy life destroy
The Aunts
The Aunts
Jean Wolph
Velvet drapes of skin
cascade
down their ivory cheeks.
Dots of rouge—barely rubbed in—
mark my doll-like collection
of Great-Aunts.
They sit in a circle in my head,
my mental parlor.
I hear their voices:
dulce
cultura
pianissimo
largo
seventy, eighty years of
practiced chatter.
I answer when asked,
Then sink into the shadows to listen:
absorb mores
discern attitudes
form perspectives
archive information
sneaking back when dismissed;
“Little pitchers have big ears.”
I see their hands:
pale blue roping crisscrosses fine bones;
rings roll around slender fingers.
knuckles rise like little mountains
seventy, eighty years of
housework, needlework, hard work.
I do as bid,
falling into the rhythm of dining rituals:
set the table
say the grace
“pass the peas, please”
clear the plates
dawdling when directed to go out and play,
tucking into a corner to watch them set the kitchen back to rights.
I look into their eyes:
hazel
periwinkle
cornflower
cinnamon
seventy, eighty years of
knowing looks.
Behind the bannister on the landing above
I close my eyes and breathe:
Crisp starched cotton aprons
Tea roses in vases
A cloud of dusting powder
A whiff of Emeraude
seventy, eighty years of
best foot forward.
Secretly I sort through stacks of old letters,
finger spidery script on the pages,
read of weather and neighbors and church…
the daughter who died
the husband who ran off
the son home from war
the precocious grandchild
seventy, eighty years of
family stories.
Shy to talk to them, still I love to say their names:
Emily
Grace
Birdie
Evelyn
I’m their audience of one, mesmerized,
reliving the plays of their lives.
Half a century they’ve been gone.
I sit at their feet yet,
seeking crinoline and chintz counsel
from these Great-Aunts.
Dryas Octopetala
Dryas Octopetala.
Anderson Aven Cook
My name is Aven. Mountain avens are flowers that grow on icy, arctic tundras — despite convention or expectation or presumption. We thrive where others would falter. I thrive where others would falter. My name is Aven, but it wasn’t always. Once upon a time, I was a princess. A flower of a different sort from the other side of the world. A hot house kind of flower — fragile of petal, full of scent. Delicate. Easily broken.
I know what you’re wondering. Was it Jasmine? No. It was Jazmine. Jazmine Nicole Anderson. A name sure to never be found in a souvenir shop, but always on the top of Honor Roll lists. My father and older sister’s doing, because my mother was just thankful I survived. “Ten months before Disney got wise.” My sister tells everyone this detail, always defending her choices and who I became. The antithesis of princess. Never one for glitter or gowns.
You’re also probably wondering: Why? When my father gave it to me after giving me little else. When my sister defends it (me?) whenever she can. Why, my least favorite question. Because I can? Because it isn’t your business. Because I’m not your business. Because I am not who they thought I would be. “Difficult,” “hard-headed” — a leader, not a damsel. Because the name feels full in my mouth — “You’re spelling it wrong” — and saying it feels like pulling teeth. Why? Because I am who my mother and sister raised me to be. Because in a name, there is a person. A person who is a wealth of life, of experience, of emotion, of sensation, of memory. And in me there was an urge to shed what was false and begin anew.
My name is Aven, but my full name is Anderson Aven Cook. Maiden and married, married together for the rest of eternity. Too feminist to let go of the one piece I always cherished, too traditional to not take part of his. His shock that I ever would sealed the deal. A husband that never expected me to be less than what I said I was will be forever cherished. A new name to be embossed on awards and diplomas, debossed on heart and memory, each with time. I told him I would take it (of course) and keep it (forever). Hell or high water. Death or divorce. It’s mine now. He isn’t getting it back.
I chose to marry together my many pieces into a whole I could be proud of. I chose to celebrate my strength. I chose to celebrate every step and misstep that has brought me to this current summit of my still short life. I did this knowing full well that I will fall, stumble, and be torn apart. But just like a rose growing in concrete, I will always bloom again, growing fast and holding strong, wearing my scars like the heroine I am. Remembering the little girl who dreamed of being a conqueror, not a queen.
Mad World
Mad World
by Kathryn Punsly
I went somewhere familiar
But saw an unfamiliar door
Once opened I found
A large hole in the dry wall
Big enough for a person to fit through.
I hunched over and climbed in.
I perched on the pipe
Like a vulture
And sat in the darkness.
I could feel the running of water below me.
I thought, maybe,
I could sit in the darkness forever.
Create your own sensory deprivation chamber.
A dark mahogany door
That reaches all the way to the bottom
With not even a sliver of light that slips in.
Eleven floors up
Looking down into the dark distance
Like an abandoned elevator shaft
Like a black canary in a coal mine
Silence save for the jack-hammer heartbeat
But eventually even your heart adjusts to the dark
Everyone soon learned I was there
This was a cry for help, after all
I was on the brink of death.
At any moment
The pipe breaking under my weight
The loss of balance
The eleven-story fall
And long pause before the ground
And Her Daughter’s Name is Shams
And Her Daughter’s Name is Shams
Erin Stephens
Shams
The sun, the light
Shining in her mother’s eyes.
Although such darkness,
Let’s look to the light
Not denying the shadow of death
But standing in our place of victory.
Shams
In Arabic, the sun
Shining in her mother’s eyes
Her mother worth so much
Created with light and love
Reflecting her Maker
In her quiet beauty and strength
In the way she loved her children.
Shams
The sun, the light
Remember the love in your mother’s eyes.
Cryptic Lives
Cryptic Lives
Jean Wolph
Rummaging through Grandma’s trunk in the attic,
trying on her flapper-days wedding dress
and 7-quad-A three-inch heels,
snapping fox mouths
to fox tails
around my neck
the bare bulb
swing
ing
on its cloth-wrapped cord,
throwing the spotlight
to small, black corners,
revealing new treasures
to explore
in this smothering tomb
secreted from the activities of the house
by insulated walls
and the heavy door
which MUST be left closed,
lest the heat—or our antics—
escape
Who were they,
these people we found in the attic,
the ones whose faces were smooth,
the ones who received letters from chums,
who carried tiny metallic purses,
wore gangster suits,
played Bottom in a college Shakespeare production,
then boxed up their lives,
side by side, into trunks.
Would I too leave my youth
to mothballs and dry-rot
in a forbidden room,
to someday forget
who I was
and wake up as someone else,
a Grandmother,
a Church Lady,
a Woman of Responsibility?
Who were they?
A sobering thought,
to learn that
Grandmas
were once
Girls.
Picasso’s Summer
Picasso’s Summer
Cara Caudill
What does summer owe to me? The sun
experiments with my eyes, my heart yearns
for the summer solstice. Or is it a summer
solace? Rose period. Watch as light speckles
through cracks and illuminates patches of
my life. What does summer owe to me and
how long will I have to wait to see it?
Seeds
Seeds
Loraine Lawson
My grandmother planted seeds everywhere, and, each day, she softly inspected her sprouts, proud of their potential.
Her garden reached longer than her clapboard house, and burst with green beans, lettuce, tomatoes, corn, rhubarb, strawberries, zucchini: Every vegetable you could find on a Southern dinner plate grew there. She selected each one carefully before meals, serving the tomatoes fresh, the zucchinis fried, the green beans boiled with ham, as God intended.
Blooming bushes dotted the landscape all around the house under her tutelage. Azaleas exploded into lipstick pinks. Hydrangea sported their brilliant blue-white clusters beneath the shade. Need I say there were rose bushes, basking in the afternoon sun? And sinfully yellow forsythia splayed in the spring breeze, branches ever ready to be stripped into a switch for a wayward child.
Just beneath the roof of the front porch, flowers nestled in long wooden beds. These she checked while the dew was still fresh, her experienced fingers lifting them, her eye scrutinizing for any sign of infestation. Coral begonias spilled over their waxy leaves. Geraniums burned bright over their greenery. Impatiens, in all the silken colors of an exquisite summer ball, lounged, soaking up sprinkles of sunlight.
Inside her small farmhouse, African violets rooted in every room, their velvet purple blossoms defying the sullen black Bible sitting nearby. These, too, have their time in her presence. In the back, a glassed-in porch sported a mini-Jurassic period, bright light flooding in upon the cacti and aloe vera. Overhead, gigantic ferns and delicate morning glory greedily overflowed their baskets, drinking in the morning rays. She granted an audience to each, picking up pots to check dirt humidity or pinching off some beginning blight that threatens her Garden of Eden.
She loved the small things, the simple things, the seeds. Her love was consistent, humble, and kind. And in their way, didn’t they love her back by sustaining her body and her soul?
Sacred Seed
Dr. Elizabeth Best
We have been poured from the cosmic seed sack
of one Universal Mind,
and scattered upon winds of Love with care,
so our souls do not land on soils marked by lack
nor are we blindly assigned a space
where each of us cannot grow and bear.
We have been formed in the surrogate soil
of a mortal mother’s womb,
but not doomed to lie in oblivion.
From our genesis, we were each primed to toil,
chase the light hidden beyond the gloom
and mirror the act of creation.
Each of us sprouted from this human earth,
dust-blown and blasted with blight
and constantly stem towards ignorance.
We forget that from conception and after birth,
we are infused with immortal light
and have access to Divine guidance.
As sanctified shareholders of the Light,
each to a different degree.
Let us illumine this earthly bower,
stretch our tendrils, intoxicate and delight.
Let us brighten bleak hills and valleys,
root deeply in all soils, and flower.
We can pour out our love essences
over all trials and pains
that break hearts, numb minds and cripple spirits.
We can yield fruit that nourishes strong consciences,
ensure that mindfulness never wanes
and dispense balm to soothe away fears.
The so-called “least of us” can rise to great stature,
given our singular, seminal nature:
as flesh, we root within limitations of sod;
as souls, we are extensions of the Mind of God.
Moonlight Walk
Moonlight Walk
by Kellie Arnold
Moon
Effervescent ripple
Quivering, illuminating, beckoning
Obediently you tie laces
Thundering, rippling,
gravitating
Torrential current
Pulls
Trees
Dark, unfriendly
Towering, laughing, mocking
You aren’t strong enough
Reaching, tunneling, losing
Small, Open
Path
Bootprints
scattered, unfollowed
Trekking, searching, longing
Quest for your self-discovery
forgotten, unwavering
Gone
Ancient Calendar
The Ancient Calendar
Loraine Lawson
Days must have burned slow on the first calendars,
When time was New and
Humans still marked their moments by the sun and moon.
Perhaps this very calendar sat on a Mayan’s desk,
The azure lines a silent reminder that
There are seasons to change…
… crops to tend…
…rituals to oversee.
The ancient calendar is silent because it knows
There will be time for all these
Without setting an alarm for “just” 15 minutes or
Scheduling a “me-time” appointment.
The calendar keeps only the most important events
And yet there is still space for human life.
Back in the early days,
time … stretched … to accommodate …
All those little tasks that niggle us now,
such as lunch
or walking by the river
or letting children play.
All those things we’ll get to soon…
When technology stops meting out
Our time in microseconds,
Only to spit us out on
The other side of life’s days
Just as we realize what mortality really means.
Pig Newton
Pig Newton
Eva Loraine Hammerbeck
A shadow, nothing more,
Darts across my windowed door.
A leaf, a twig, scraping there.
A squeak from my front porch chair.
I struggle to avoid a look
As I settle into my dreary book.
I am lost in reading when I hear
A sound so dreadful, so low, I fear.
I flip the outside bulb on
If someone was there, he’s gone.
I turn off the glaring light,
My house slips back into the night.
Tired, I’m tired. I shake my head.
Maybe it’s best to go to bed.
I mount the creaking stairs,
Each step, my aching back flares.
Once in bed, I embrace the dark.
See strips of moonbeams, so stark.
Soon I’m dozing, dozing off to dreams…
As something scurries across the beams.
Surely it is a mouse, I think
I turn, and, into my pillow, sink.
Then, I pause, to see what moves
“It’s nothing,” I firmly choose.
I am deep in my sleep
When a thing pounces from the deep!
I awaken suddenly, my eyes wide open
My repose, completely broken.
I cannot lift my arms, I find.
A figure lurks above me, outlined
Against the paleness of the moon
What fiend has visited me? I swoon.
When I come to,
As I soon do,
I hear a whirling grinding sound.
I find I’m hog-tied on the ground!
My tormentor is near
Every muffled movement I hear.
“Who are you?” I say at last.
“The time for talking is past.”
“What do you want?” I plea with him.
He laughs softly; I spy his limb,
Long, and hairy and bent
I know now whom hell has sent.
He mocks me from the shadows then
“Little pig, little pig, let me in.”
I see him, fierce with sharp teeth a-grin,
“Not by the hairs of my chinnie-chin-chin.”
Woman in White
Woman in White
Korinne Dunn
Proud chin, she holds the key
to her own damn purity.
She guards it with the same eyes
she uses to look down on you.
She is not made of lace,
she is not made of porcelain;
she wears these frills against
the cold.
She buttons her shawl against
the judgement.
She closes herself
to you
to find peace
from you.
The Kiss
Your Kiss
Dr. Elizabeth Best
I waited a life time for love to come home to me.
I thought that time was running out
and dying for love would be my destiny,
but Angel, here you are
wrapping love around my heart.
If what I believe is true,
Heaven isn’t only on the other side;
it’s right here where I am with you.
In any weather, my skies are blue.
Every season is summertime.
Earth rises up to greet me and you
and bells chime each time your lips meet mine.
Now that we are in touch like this,
I am sure Heaven isn’t only on the other side
as many presume it to be;
Heaven is wherever you are with me,
and the key that opens these portals of bliss
is your kiss.
Entrapped
Entrapped
Synthia Shelby
Lying beneath
A rubble of lies
My heart bleeds.
My soul dies.
Fear, manipulation,
And hatred served.
Do I deserve
To be treated
This way?
This disdain
I can never repay.
No power. No control
No passion. No heat.
Our love grows cold.
Naked, unraveled
By your need.
Trapped, caught,
No Longer, Free.
A knotted, painful
Web of deceit.
Fidelity a memory
In bed with a thief.
Mincing and dicing
My faith, my heart.
Trampling hope
Tearing it apart.
Tangled, twisted,
Wrapped around your finger.
Frozen by loneliness
I stay, I linger.
I yearn
To run away.
Your sweet words
Beckon me to stay.
Praying to the
One above.
Held hostage
By your love.
Collar of Beads
3 AM
Anderson Aven Cook
Twenty-nine years,
six months,
twenty-three days.
We measure our lives with an arbitrary creation.
A year, a month, a week,
a day, an hour, a second.
Our most precious commodity —
the one thing we can never get more of —
is an utter paradox
on which we have built history.
And yet I know no other way to mark
the passage of our time together.
Fifteen years,
one month,
nineteen days.
I measure out my life in harsh words rashly spoken
and broken promises laid to rest
in the softest gossamer whisper.
“I’m sorry” never quite cut it with us,
but “I love you” almost always did.
I measure my life in laugh lines
I never would have found
without you.
“You are too young” and “It won’t last”
became a metronome we learned to ignore,
finding a rhythm all our own.
I measure my life in the curvature of your smile,
your hand on my waist,
your fingers twined around my own.
Eleven years,
two months,
sixteen days.
You have safeguarded my heart,
and in the space between seconds,
I’ll always think of you.
Renewal
My Aunt
Denise Amos
Dainty doilies on the buffet
Hand crocheted
Hails your hospitality
Skilled hands.
Stiff starched blouse buttoned high
Under wool blazer
Tucked into tailored skirt
Copy editor.
Plaid pedal pushers
Motorless push mower whirring
Side yard front yard backyard tiny yard
lickety-split trimmed.
Dungarees every fall, raking leaves
Leaves burning
Marshmallows roasting
Chili simmering.
Sunday dress
Ninth and O Baptist
“He makes all things new”
Spinster, married at 42.
Dress handmade
Saved for my first day of 10th grade
Instead
“She would have wanted you to wear yellow.
To share your sunshine, your smile,
with her friends.”
The fabric of our days
Together
A comedy blazing
of joy, memories, and life.
Elegance
Elegance – For Charlotte
Kellie Arnold
The twirl of your skirt,
round and round,
Rainbow-fabric splayed open
is like thin sliced
fruit on the rim of
our drinks
during tea party afternoons.
There will be another time,
a different age
where your self-fascination,
chapstick-smeared practice grins,
the incessant dancing,
are labelled vanity.
But for now,
catch your breath,
untangle the sun-kissed curls
from your eyelashes
and rise up on tip toes
as the next performance begins.
Let your kettle drum heart
beat in rhythm with each spin.
Patterns in Comfort
Patterns of Comfort
By Mel Mellick
Life flourishing, blooming, bursting at the seams.
Pulsing, floating, undulating.
Give us comfort in this mad world.
Look to nature
Finding peace
In this patch of life
In full bloom
Foliage filling my textured heart.